The sound of water? Improvisation? AI? Oh my! The American Musicological Society’s 24th annual Teaching Music History Conference took place June 5-7 in New York City. The 2026 conference featured teaching…
In the midst of researching the music of the video game Metal Gear Solid 2: Sons of Liberty for a class project during my master’s in musicology, I…
Ayana O. Smith’s Inclusive Music Histories: Leading Change Through Research and Pedagogy (2024), published by Routledge as part of the College Music Society Emerging Fields in Music series,…
The 23rd Teaching Music History Conference (THMC) took place June 20-22, 2025 in New York City. This year, participants gathered online and in the AMS offices on the…
In memoriam by Anna Zayaruznaya To use, or not to use? That is the problem. We teachers know what textbooks are and what they aren’t; what they enable…
Many music history teachers quickly gained facility in the new teaching formats and modes during the pandemic, but change has not stopped. A “new normal,” which can involve face-to-face and hybrid class settings, as well as temporary periods with remote delivery, both invites and requires new and more flexible pedagogical approaches.
Nothing left to load.